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《头发很长和头发不见了》李博、雷本本双个展

亚博备用网址 | 时间: 2007-06-21 11:15:13 | 文章来源: 美术同盟

 

开幕酒会:2007.07.07 周六 下午16:00
展览时间:2007.07.08–2007.07.31
开放时间:周二至周六 11:00–18:00,周日至周一12:00–18:00
展览地址:上海市莫干山路50号3号楼201
咨询电话:86 21 62773062

 

        北京现在画廊(上海站)将于7月7日推出年轻摄影艺术家李博、雷本本双个展“头发很长和头发不见了”。作为年轻一代的艺术家,李博和雷本本并没有循规蹈矩地按照摄影的传统要求创作作品。
        李博通过砂石、线绳制造出肌理,再将摄影作品喷绘其上,形成了类似油画或壁画的效果;连同他通过这种方法制作的象棋装置,都显示出艺术家在视觉效果方面的追求,无形中打破了艺术各个门类之间,艺术和生活之间的壁垒。
        雷本本的摄影则出自她一年间不间断的手机拍摄。雷本本迷恋于偏色迷离的图像带给自己的诗意效果,借由这些略带迷幻色彩的图片,她既“扭曲”了平淡如水的生活,又重构了一个带有戏剧性的自己。在《悬舞》中,雷本本放大了手机摄影的戏剧性效果,用玩偶制作了一个貌似童话故事的片断,让观者自己去完成故事的其他部分,每个人似乎都能从中获得一份隐秘的快感。另一组作品《活色生香》则以平常手机介入日常生活细节,重构迷幻现实。

 

Long Hair No Hair

--Li Bo & Lei Benben's Double Solo Exhibition

 

Private View: 2007.07.07 Saturday 4:00 PM

Exhibition Duration: 2007.07.08–2007.07.31

Opening Hour: 11:00–18:00(Tuesday to Saturday)

12:00–18:00(Sunday to Monday)

Address: 201, Building3, No.50 Moganshan Road, Putuo District, Shanghai

More Info: 86 21 62773062

 

    BEIJING ART NOW GALLERY in Shanghai is pleased to present a Double Solo Exhibition of two young photographers Li Bo and Lei Benben on July 7th ---- Long Hair No Hair.

    As a new generation artists, Li Bo and Lei Benben do not follow the traditional rule for their photographic creation. Li Bo reproduces his photos with the texture through mashing the gravel and muddling up the cords, and then spraying the photographs on the surface of the mixture, by such he endows his photography the character of oil painting and mural. He made the lavish installation of Chinese chess by the similar thoughts, all of which have demonstrated the young artist's strong eagerness of perusing the experimental visual experience. This is also imperceptibly breaking the boundary among each school of arts, among art work and people's life for us.

    Lei Benben's photographs, on the other hand, stem from her constant handset shooting lasting a whole year long. Lei Benben is obsessed with her poetic world deducting from the ecstatic color and blurred images she made, through the pictures of the fairylike colors, she has twisted our ordinary life, and dramatically reconstructed another self. In DANCING ON THE CLIFF, Lei Benben enlarges the stage-played effects of her mobile-phone photographs: she forges a scene of a fairy tale with puppies, leaving the rest of the story finished by the audience. Everyone seems have obtained a pleasant sensation from the view of her mythology. Another set of works THE PASSION OF LIFE involves in the very details of daily life by the existence of mobile-phone's eye, mixing up the fantasy and reality.
(责编:裴刚)

 

 

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