将不可名状之物转换为有形式的物体，追问“何谓感觉”
Invisible subjects are converted into physical objects, in an effort to reveal“what are feelings”
艺术家简介
何翔宇
1986年生于辽宁省
何翔宇的创作实践可以被视作各类个体、社会和政治主题的材料测试场和观念实验室。作为一名在中国迅速城市化时期成长起来的艺术家，何翔宇尝试由物体间的转化体现或引导感知。他曾入围2014年平丘克“未来世代艺术奖”决赛，获得2016年CCAA年度“最佳年轻艺术家奖”以及2016年的“ARTNET新锐艺术家奖”。曾参与的主要展览及展映包括：“全球都市1.5:延展智慧”国际艺术双年展（2018）；“故事新编”电影展映项目（电影作品《The Swim》放映），古根海姆美术馆，纽约（2017）；卡蒂斯特艺术基金会“土与石,灵与歌”亚洲艺术巡回群展（2016－2018）；里昂双年展，里昂（2015）；上海双年展（2014）；横滨三年展（2014）；釜山双年展（2014）等。
He Xiangyu
Born in Liaoning Province, China, in 1986
He Xiangyu’s art practice could be seen as a proving ground or a laboratory of mate-rials and concepts, in which he investigates and engages with a variety of personal, social and political subjects. Grown up from a dramatic period of rapid urbanization in China, He’s practice is centered on representing or manipulating cognitive senses through transformation between different materials. He Xiangyu was named as a final-ist for the“Future Generation Art Prize” (2014), and won the 10th CCAA“Best Young Artist” Award (2016) and the“ARTNET Emerging Artist Prize” (2016). Recent exhibi-tions include: Cosmopolis #1.5: Enlarged Intelligence. Centre Pompidou + Mao Jihong Art Foundation, Chengdu, China (2018); Tales of Our Time Film Program (Screening of the film“The Swim”), Guggenheim Museum New York, New York (2017); Soil and Stones, Souls and Songs by Kadist Art Foundation (2016-2018); Lyon Bien-nale(2015); Fire and Forget: On Violence, KW Institute for Contemporary Art, Ber-lin(2015); Shanghai Biennale (2014); Busan Biennale (2014).