绿校海报－been
绿校是一个来自互联网的新锐艺术团体（www.lvxiao.com)，他们以非职业的方式将艺术融入生活。这次成立五周年他们将通过现场涂鸦来呈现新一代年轻艺术家对于生活和艺术的态度。同时还会展出绿校成员设计的海报。而先锋电子音乐人也将配合绿校的视频短片集进行现场表演为活动助兴。这不是一次单纯的艺术展览，因为作品是在展览开始后添加上去并会不断有新的涂鸦贯穿整个展览，这也不是一个纯粹的聚会，因为所有的人都会流连现场创作和朋友交谈之间 ，这是中国青年艺术一代的生活方式。
如果你不懂乐器，你可能无法登台表演。
如果你不是艺术家，你仍然可以来涂鸦。
绿校五周年现场涂鸦潜?空间画廊给您留块白墙
（展览期保留白墙提供给参观者涂鸦）
策 展 人： 李贵明
开幕时间： 2007年8月4日，星期六 1 ：00PM
展览时间： 2007年8月5日至2007 年9月4 日
展览地点： 北京市朝阳区酒仙桥路2号 798 大山子艺术区2号院 潜空间（红门画廊对面）
联络电话： 010 64337416 \ 13911195654
邮 箱： qianart@gmail.com
网 址： www.pgart.com.cn
关于涂鸦 :
涂鸦这饱含"嘻哈"文化的涂写艺术从一问世就因为其政治话题，反叛传统等引来人们对于其合法性和艺术性的争议。人们认为涂鸦是破坏城市环境的顽疾， 涂鸦青年更是具有危险性的人群。随着1973 年在曼哈顿的SoHo区举办过一次大型涂鸦画展，吸引了众多媒体的关注 ，到涂鸦艺术家哈林与安迪沃霍联合创作， 涂鸦艺术最终还是进入了美术馆这种艺术的殿堂。而绿校这些年轻人生活在幸福的环境下，他们喜欢尝试创新，相比较传统他们更容易接受新的文化和审美，他们的涂鸦一开始就不是一种宣泄、也不是一种宣战。这些涂鸦内容不是精心的策划、没有精致的变形文字符号、没有了大块的漂亮色彩。 这些涂鸦的手法更接近中国传统精神的"忽来案上翻墨汁、涂抹诗书如老鸦"，简单的线条看似随意的笔触，玩世不恭的形象都带有中国年轻一代在中西文化碰撞时期的独立思考，相比较背负沉重的振兴中国当代艺术的一些艺术家们，这些自由的非职业的创作因为没有束缚，变的放松、本真。
关于绿校 :
" 绿校(lvxiao.com)是一个谁都可以参加的开放性社团。你在这里留言，参加绿校的聚会或展览，都算加入绿校了。 "这是绿校网站的开篇语，没有比这更让年轻的一代更兴奋的了，于是有很多人留言，于是很多人就加入进来。 绿校是以网络为平台的自发性的青年艺术团体。他们以团体的开放性和民主性来践行艺术的大众化；同时强调艺术对社会的责任。这里很多成员在工作之余以业余身份坚持创作。他们对传统艺术审美产生质疑，不屑于职业化和专业化的身份，在这里没有衡量精英标准的门槛，他们以自己的思维方式来阐释生活、艺术，然后通过平面，动画 ，绘画， 摄影，雕塑，装置等手段来表达。这里是纯粹的展示和交流的平台，鼓励所有对艺术感兴趣的年轻人的参与进来创作出属于自己的作品，这里充满生机蕴涵着爱、平等、自由、实验、创新、开放的精神。 经过五年的发展在这没有任何约束的社团中，有人来了也有人走了，目前为止绿校包含了来自全国各地的近百人。他们是设计师、他们是艺术家、他们是一个普通的上班族、学生、甚至无业者，他们都把这里看作是一个精神家园，很多人是没有见过面的朋友，很多人是通宵达旦聊生活的朋友，他们都是来自绿校的朋友。
2002 年 绿校创建
2005 年11月 绿校新博客开通
2006 年02月 绿校部分成员参加西五艺术中心 "打眼"新视验展
2006 年05月 绿校首届年展在星空间画廊
2006 年09月 绿校杂志创刊
2006 年10月 城市画报的创意集市
2006 年12月 绿校和朋友们展览在现在画廊举行
2007 年02月 首届绿校创意集市在中关村广场购物中心举行
2007 年05月 绿校和绿色和平组织在海淀公园的迷笛音乐节期间联合涂鸦
2007 年06月 绿校部分成员参加上海美术馆果冻时代展览
2007 年06月 绿校部分成员参加大声展
公益活动： 2006年 6月绿校开始海淀培智学校教孩子画画（时间一年）
出版：
2006 年05月 绿校第一套卡片
2006 年12月 绿校卡片第二套
2006 年12月 绿校第一本画册
绿校部分成员参与创作画册：
2007 年《sc》漫画书
2007 年《cult青年的选择》
Lvxiao Fifth-Year Anniversary Event of On-site
Graffiti and Poster Design
Lvxiao is a cutting-edge art group from the internet (www.lvxiao.com), who fuse art into life in non-occupational ways. On this fifth-year anniversary their attitudes toward life and art as a new generation of artists will be evident through graffiti making on the site. At the same time Lvxiao posters designed by Lvxiao members will be displayed as well. In addition, performances by pioneer electronic musician will add to the fun of the event as the tunes accompany a projection of
Lvxiao video shorts. This is not an everyday art exhibition; the work starts after the exhibition opens and keeps adding. This is not a pure gathering; those who are here will be flowing between creating and conversing. This is the lifestyle of the young Chinese art generation.
If you can't play an instrument, you may not be able to perform on stage.
If you are not an artist, you still can come to graffiti.
Potential Gallery for Lvxiao Fifth-Year Anniversary of On-site Graffiti has a white wall saved for you.
(white walls are retained throughout the exhibition period for visitors to graffiti)
Curator ： Li Guiming
Opening Reception: August 4, 2007,1:00PM-6:00PM
Exhibition Time: August 5 to September 4, 2007
Venue: Potential Gallery 798 Dashanzi art center , No.2 Jiu Xianqiao (Opposite to Red Gate Gallery )
Contact: 010 64337416/ 13911195654
E-mail ：qianart@gmail.com
Website ：www.pgart.com.cn
On Lvxiao
"Lvxiao (lvxiao.com) is an open artistic group that anyone can join. You are part of Lvxiao if you leave a message here, or participate in a Lvxiao gathering or exhibition." This is the introduction phrase of
the Lvxiao website. There is nothing that excites this young generation more. And, many people leave messages, and, many people join the artistic group. Lvxiao is a self-driven young artistic group that uses the internet platform. They practice to make art for the mass with the open and democratic nature of their group, at the same time stressing for the responsibility that art has for society. Many
members create art as non-occupational during their spear time to doubt the aesthetic of traditional art. They disdain in vocational and professional status. There is no elitist standards, they have their
own ways of thinking and explaining art and life. They express them through making graphics, animation, painting, photography, sculpture, installation and other artistic means. This is a pure platform for exhibition and exchange, encouraging all young people interested in the art to participate and create their own work. There is full of love, equality, freedom, experimentation, innovation, and open spirit. After five years of development of this artistic group without restrains, people have come and left. Up to now Lvxiao includes nearly a hundred people from all over the country. They are designers, they are artists, they are ordinary office workers, students, even the unemployed. The regard Lvxiao as a spiritual home, many are unmet friends, many are friends with whom you can chat through the night. They are all friends of Lvxiao.
On Graffiti
Graffiti, a scribble art which stemmed from "hip pop" culture has been controversial since its birth for it's rebel of tradition and political topics, leading people to question the legal and artistic legitimacy of this art form. The public considers graffiti as destructive to the urban environment, and graffiti youth as a dangerous crowd. With a large-scale graffiti art exhibition being held in the SoHo district of Manhattan in 1973 that attracted widespread media attention, to the collaboration of graffiti artist Harling and Andy Warhol, eventually graffiti art entered the hall of art museums. The young people from Lvxiao are surrounded with happiness, and they enjoy innovation. They are more accepting of new cultures and aesthetics in comparison to the traditional. Their graffiti did not start as a vent, nor is it a war declaration. The contents of these graffiti are not carefully planned, there is no intricate symbols of deformation, and there isn't any large chunks of beautiful colors. These graffiti practices are closer to the traditional Chinese spirit of simple lines drawn out of seemingly random brush. The cynical images carry the independent thinking of the Chinese young generation, who lives in a collision of Chinese and Western cultures. In comparison to the artists who are shouldering a heavy burden of revitalizing Chinese contemporary art, these free and non-occupational works are relaxed and true, for that there is no restraints.
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