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从温良的寒霜开始――11当代艺术邀请展
展览时间：2008.06.07-07.08
展览地点：彼岸画廊 深圳市宝安区宝城公园路22艺术区1号5层
谷雪儿
既然是场生命和悲伤的较量，也就少不了男人和女人。也就少不了晓风小月的尘景。
流阳泻尽的午后，大地开始听雨闻心。
似乎如一间充满潮湿的房子，把我们关进不是田埂、不是暮色、不是往事的表情里。用松树的挺拔，衰老的院落，褪色的撒娇来还原自由和慵懒。
《糖》是苦涩的救药，也是距离过程中极端的表达。只有“色”的张扬才体现了李畅具有唐吉柯德长矛般尖锐的话语，才有了对女人的悲悯情节。再艳丽的色彩也未能遮挡一致的女人背后艰难的孤独。
有些男人站着只是一种姿势，或叫直立，而刘港顺画的男人站着就是种力量，无需判断和注解。男人有时一定要依靠他的柔软来获得女人的忠贞。无论《新小说家》还是《电影》都在陈述男人的脆弱，才如此炫耀他们对时代的遵从与实验者的颓势。如一场苍老的春梦，荒草和余晖便是这场梦里躲不过去的意图，视野在消失，身份在消失。
我突然闻到有浓重的光阴味道，有黑夜狭窄的沉默。栗子的《阿修罗》和《爱比死更冷》之系列的自我悲伤的疼痛感，究竟是源于自由的迷失？还是坚守灵魂不被留白的缠绵？内心啊，内心只是一个拳头大小的空间，它却要承载一个朝代的圣歌与灾难，经历生活的闲言碎语，苦语悲音。我最怕满含期盼的夭折，那是从内心怎么也驱赶不散的哀嚎，若不是有爱情和明月的美景，那条通往生命的天路，早就破烂不堪。那些无可依傍飘荡的灵魂，止于一场烟花散尽的深处。走在夜路的灵魂啊，还要寻找多久，从一个祭祀的乡野到水的独白？从冷死的爱里沉迷到从容的大惑？然而，直觉在说，在某个角落或者另一条小巷，你终将会爱上死亡，无论是梦境还是寓言。
李磊的零乱早已在大海停止之处充满欲望地循环，散落一地白色的花，尽管语境优美却无法摆脱生命专场的遭遇。含蓄的凄美试图想重返家园，看似冷静的姿态，是在不停地驱赶内心的复杂，却又涂抹着松散的术语。终归是女人，眉清目秀，又不肯放弃深思。
与其他艺术家不同的是，王威觉悟的语境道出了人类的良知，《水世界，它们的梦想》无论借景还是借物，都在哲学范畴的领域里反思与瓦解。至于说究竟是“它们”的梦想还是人类的梦想，都应慢慢清理。首先是身份的清理，其次才是精神的清理。梦想就是矛盾和边界的敏感在某一个单元的开始，《秋柳双鸦》、《寒雀》几乎是许凌对限制和自由的宣战。我曾看见过运河边上的水草，试图用自然之物咏怀，现吻大地与自然之恩。而许凌的锤炼死亡的方式，不断地徘徊在冥想的路上，对自由的渴望，对制约的抵抗，堕入地狱的天堂。以一种舒展的姿态有节奏地与人类进行着言意之辩，打破语境，似乎在与恐惧较量，这也是视觉生存里最基本的体验。
燕子的《颗粒》是完成整体途径的终极表达。看上去很生硬，缺少柔美，然而，每一个组合而成的结构，构成了整体的所有的元素。对生活阴影里自述性的诉求，仔细端详并清晰地回忆记忆中的隐痛，无条件地推开视界里混浊的实质，来歌颂纯朴与自觉。
从温良到寒霜，这是你们的遭遇，也是我们的遭遇。
From Mildness to Frost----11 Modern Arts Invitation Show
Gu Xuer
In the struggle between life and sadness, men and women both play important roles with the roses garden under moonlight as the background. Right after the golden sun sets, raindrops start to knock at the heart door of the vast land.
This is an old dank yard, with the pine tree standing tall and straight to the sky; the variegated walls of the house recalling remote memories. Laissez-aller and lentitude are the topic of the atmosphere.
《Sweets》of Li Chang is an antidote of bitterness, reflects the conflict between reality and imagination. The representation of ‘lust’ expresses his idea as sharp as the spear of Don Quijote and his sympathy toward women as tender as the smile of Mona Lisa. However, among the flamboyant colors, the hardship and loneliness inside the heart of a woman is unconsciously flowing out.
All ‘men’ in Liu Gangshun’s paintings stand in an arrogant pose, which might be called as erection. The power is permeating everywhere without even any special annotation and judgment. However, the great pity of them is that they neglect that men’s softness sometimes is more powerful to kill women. Under the bleak welkin, the visual field is becoming hazier and hazier; their identities dimmer and dimmer. As is like a faraway dream, in which ‘men’ are bound to be a failure; desolation and sunset glow are the unavoidable results.
From Lizi’s 《Pheonix》and 《Love is colder than death》, you can sense the flow of passing time, in the vast silent darkness；you can share the pain at the bottom of the artist’s inner heart, due to the loss of freedom or the lingering historical memory?! Man’s heart is no bigger than a fist, but carries the whole human being’s glory and tragedy, all his personal trivialities and sufferings. Death is a pre-determinate destination for everyone. If there were no love and moonlight, the path leading to heaven would be too vapid and rough. Your instinct might tell you that, somewhere in a corner or a turning on the road, you would become loving the end, because of the whole process.
The beauty of Li Lei lies in her simpleness and pureness. Even though they can not enjoy full stretch of life; even though they can not get rid of the fate of being discarded, they never give up the elegance of inner selves and the passion toward life. The significance of ‘to be’ is to record a woman’s dulcet story, to chase away her inner despondence. These white flowers are scattered and resting on the beach of the harbor, calmly and placidly; the visible and invisible imprints gained from the sub-celestial voyage make them nothing but more adorable. Now, you finally know what is woman, ---- fair and abstruse; straightforward and wise.
Wang Wei is distinct from other artists. He cares more about human’s conscience. His idea is an expression of philosophical reflection and disintegration. 《The World of Water ---- Their Dreams》 actually expresses the dream of human being, by the forms of ‘their’ dreams. Dreams start from the most sensitive part of the artist’s heart.
Xu Ling’s《The willow and crews in fall》and《The sparrow》are the challenge to liberty and the rebellion to bondage. In the bout with nature, the desire of freedom and the resistance against limitation are expressed in leisure and rhythmical way. This is a conversation between nature and human; this is the basic living situation in the visual world.
Yanzi’s 《Granule》is an extreme expression of the tag end of the whole. It looks rough and hard, but every bit in it is a necessary element of the whole. To look deep inside, to push away the disorder in the actual visual world, you will find out the nature of trueness and self-discipline.
The process from mildness to frost is part of your life, and part of my life as well.
画廊简介
彼岸画廊座落于美丽年轻的海边城市深圳,是一家充满朝气的当代画廊,我们的画廊致力于推广全世界优秀的青年艺术家。同时彼岸画廊是一间注重学术的画廊, 与多家艺术机构及国内外活跃的策展人、批评家、艺术家保持着密切的联系，积极参加国际间的艺术交流活动。画廊有优越的展示空间和完善的推介系统，有指定的VIP空间.
Gallery Profile Yonder gallary is located in a beatiful and young city by the sea—Shenzhen. It’s a modern gallary with full of vatality . we go in for promoting excellent youth artists from all over the world. Yonder gallary also stresses on academy. We keep in touch closely with many fine arts institutions and active curators, critists and artists. We also participate in international arts communication activities positively. The gallery has elegant show spaces ,complete introduction systems and designated VIP spaces.
画廊网站：http://www.beyond-gallery.com/
联系电话：0755-27846166
联系人：陈贴
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